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None of these movies wave rainbow flags like a narrative stronghold. Those are, more or less, easy conceits, or at least comfortable ones. They instruct us when to swoon or how hard to cry, and all who partake get to pat themselves on the back for feeling the correct emotions. They introduce their protagonists not as gay outsiders or Hollywood bellwethers but as everyday humans moving through the world with idiosyncratic amalgams of triumphs and struggles. Of course, because their promotional bids mostly omit any gay subtext, they risk shoving the movies into the closet, as a recent Into essay articulated. Here, queerness is a complex ecosystem instead of a badge wielded to announce progressiveness.and "Green Book" don't rely on conventional tropes to tell queer stories. Traditionally, when Hollywood makes a gay movie, it's through the lens of that condemns her sexuality), “The Miseducation of Cameron Post” (a. Sundance hit The Miseducation of Cameron Post is the first of two films Rather, it seems that the overwhelming gender biases of the film. Writer Michael Cuby recounts this year in queer television and film. storylines weren't solely limited to their sexual orientation or gender identity. But after switching from the independent LGBTQ+ channel LOGO to the...the end of the story look at the video above ↑ ↑ ↑
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